![]() ![]() Lock & Load is the fastest and most robust stabilizer for FCP X. DriveX includes (20) motion templates to get you started, with many more coming soon, making it an invaluable plugin for daily FCPX motion graphics tasks. CoreMelt DriveX allows advanced users to directly link track data to published parameters inside Apple Motion Templates, and publish the result as an FCP X effect. Now you can harness the full power of Mocha tracking with complex 3D effects and particles, thanks to our ground-breaking match-moving tool for F inal Cut Pro X. The TrackX Final Cut Pro X plugin lets you track text or graphics to background movement for innovative title effects, or track and insert a layer for screen replacements, to replace a sign, or extend a set. You can then adjust with manual keyframes as needed giving you ultimate control in a way not easily done with other FCPX tracking plugins. SliceX powered by mocha takes the pain out of following complex motion, just draw a shape and hit track. You can also use the Shape Masks with built-in Final Cut Pro X effects, the built-in color corrector and many other third party plugins. SliceX includes eleven Motion templates for common tasks. SliceX lets you quickly create tracked Shape Masks to cut out layers or isolate effects. It's fast, simple and most of all, accurate." Che Baker, Director, Blue World Order "Chromatic gives me a whole new level of control. Altogether there is over 180 plugins and templates for FCP X included. Also included is our blazingly fast Lock and Load X stabilizer, and our V2 Plugin set. Chromatic is the most comprehensive grading tool for FCP X and PaintX allows for super quick cleanups using tracked paint strokes. The SliceX / TrackX / DriveX plugin suite for professional motion tracking gives you three powerful tools for using Academy Award winning mocha tracking directly on the timeline in FCP X. The Everything Bundle is our most powerful toolset of Final Cut Pro plugins, transitions and effects. You can off course use this setting on other clips by clicking the Save Effects Preset button in the bottom right hand corner of the Inspector.Some products in this bundle are not yet Apple Silicon native Final Cut Pro X Grading, Tracking, VFX, Transitions, Filters all in one Bundle Select the area and the whole image should change.Īnd that is Auto White Balancing by choosing an area you wish to be white. Move the Cursor and it will change to the Eyedropper. ![]() ![]() Instead, we will sample her T-shirt which although is not 100% white, it does have more colour information. We would go further and say avoid the completely blown out whites such as the lights in the roof. You will see that FCPX gives you a little hint here in the bottom left hand corner of the canvas to select an area that should be pure white. You can also apply this colour correction fix to clips and images in the Final Cut Pro X Browser, not just the Timeline!īack to the Inspector and select White Balance form the dropdown menu in the Balance Color controls. The controls will appear in the Video Parameters Tab in the Inspector. You might notice a slight contrast change as well as Final Cut Pro X expands the blacks and whites to their corresponding 0% and 100% levels. ![]() This will apply an FCPX generated balance, which does look a lot better than the original, but there is still a cast. Then click on the magic wand and select Balance Color or you could use the shortcut OPT CMD B. Navigate to the bottom left of the canvas where you will see three icons. You would think that you need to head straight over to the colour tools in the Inspector ( CMD 4) looking for the auto white balance, but you would be wrong. Thankfully you now have a third option right inside FCPX. (It does happen!)īefore the 10.4 update you had two choices how to fix the colours.ġ) Mess about with the Colour Board with an eye on the vectorscope trying to remove the cast.Ģ) Buy a third party colour correction plugin or roundtrip through another NLE or colour grading app. This can happen with fluorescent lighting or even something simple like the cameraman getting the white balance or filter on the camera wrong. Here you can see we have an indoor portrait with a rather nasty colour cast. The good news is that the eyedropper and the Auto White Balance features are back in Final Cut Pro X 10.4, but not where you would expect to find them! Many editors complained that the handy eyedropper that made a 'one click fix' for colour correction had gone. When Final Cut Pro X was released back in June 2011, one of the missing features from FCP7 was the Auto White Balance tool. In this tutorial we will show you how to get rid of unwanted colour casts using the Auto White Balance tool in Final Cut Pro X How to Auto White Balance Colours in Final Cut Pro X 10.4 ![]()
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